More than 15 years had passed since my first visit to Mexico City, and this year, I felt the pull to return. I had two great reasons: celebrating my birthday and attending Zona Maco, Latin America’s biggest contemporary art fair. I traveled with two close friends—one a regular visitor to CDMX, the other experiencing it for the first time—so we had a lot of ground to cover in just three and a half days.

When it comes to ceramics, choosing the right clay can make a huge difference in how your piece turns out. I've spent years experimenting with different clay bodies, and I've found a few that I consistently come back to. They each have their own unique qualities, strengths, and little quirks, and I'm happy to share what makes these four so special to me.

As 2024 draws to a close, I’m taking a moment to reflect on the artistic path this year has been. From new inspirations and challenges to exciting collaborations, it’s been a year of growth, experimentation, and connection. I’m thrilled to share some of the highlights from my ceramic practice, as well as a few projects that have pushed me to explore new techniques and ideas.

Raku firing has a rich history rooted in Japan. Developed in the late 16th century, it was inspired by the wabi-sabi aesthetic of imperfection and simplicity. Originally created for tea ceremonies, Raku ceramics gained popularity for their unique, unpredictable nature.

When it comes to Raku firing, incorporating tape or wax resist can add interesting design elements to my ceramic pieces. Here's my step-by-step process:

Raku and naked raku are two distinct ceramic alternative firing techniques that produce unique and beautiful results. Let's explore the differences between the two: