Travel Inspo: Morocco

Eusebio Ceramics Travel Inspo Morocco

A colorful Moroccan adventure:
Marrakech, Casablanca, Chefchaouen, Fez and Tangier

Morocco was a sensory rush from start to finish. We explored five cities in ten days, each bursting with energy, history, and intoxicating color. From intricate tilework to finely crafted leather goods, I was constantly inspired by the country’s deep-rooted artistry and centuries-old traditions.

With so much ground to cover, we hired a private driver—and Omar turned out to be a true gem. His thoughtful suggestions led us to unforgettable meals, beautiful riads, and quiet corners we might have missed otherwise. Between cities, he kept us entertained with stories and local insights—turning long drives into some of our favorite moments. With Omar’s help, we got to experience Morocco in a way that felt more personal and connected.

Eusebio Ceramics Exploring Marrakech

Outside our Marrakech riad.

Eusebio Ceramics Marrakech Design Pattern

Marrakech pattern inspiration

Eusebio Ceramics Marrakech Airport | YSL Museum | Riad

L: Marrakech airport M: YSL Museum R: Riad

Marrakech: where exotic charm and timeless traditions unite

We kicked things off in Marrakech, a city alive with energy at every turn. Wandering through the medina, we were swept up in the rhythm of daily life—vibrant textiles, stacked spices, the hum of people and mopeds moving through narrow alleys. When we needed a break from the buzz, Jardin Majorelle offered a quiet escape. Its lush paths and vivid cobalt walls, blending Art Deco and Moorish influences, felt like stepping into a dream.

One of the highlights was visiting the YSL Museum. I hadn’t realized the true scope of his creative legacy—one of the most brilliant minds in fashion. His deep love for Morocco came through in every detail, and it made the experience all the more powerful. A must see!

Hassan II Mosque in Casablanca

Casablanca: architectural grandeur by the sea

We made a quick stop in Casablanca, just long enough to visit the stunning Hassan II Mosque. Set along the Atlantic coast, it’s one of the largest mosques in the world—and you feel its scale immediately. From the hand-carved marble to the intricate tilework, the craftsmanship is truly remarkable.

We were lucky to join a guided tour, which made the visit even more memorable. The mosque can hold up to 105,000 worshippers—25,000 inside the main prayer hall and another 80,000 in the courtyard. I can only imagine the energy of the space when it’s full. Even in quiet moments, it radiates a sense of reverence and awe.

Colors of Chefchaouen

Chefchaouen: A tranquil blue-hued city nestled in the Rif Mountains

Next, we made our way to Chefchaouen, tucked into the Rif Mountains. The town, painted entirely in soft shades of blue, felt almost otherworldly—peaceful, quiet, and unlike anywhere else we’d been. We spent the afternoon wandering its narrow cobblestone streets, getting lost in the charm and searching for local art to bring home.

Fez Doors

Fez: An ancient city established in the 9th century, rich in history and cultural treasures

Fez pulled us in with its deep history and incredible craftsmanship. With a local guide leading the way, we wound through the medina’s narrow alleys, passing ancient mosques, tanneries, and grand old palaces. I highly recommend hiring a guide here—it’s a true labyrinth. I think I got lost within three minutes of leaving our riad to find dinner.

It’s just the wildest place I’ve ever visited, and I can’t wait to go back and spend more time. One of the most fascinating things about Fez is how many of its most beautiful buildings are hidden behind unassuming doors. Many are still private residences, and you’d never guess what’s tucked away behind the intricate carvings and quiet façades. There’s always more than meets the eye here.

During our drive, Omar learned I was a ceramic artist and made a point to schedule a stop at the Ain Nokbi pottery district. It was such a thoughtful detour. Watching the artisans hand-paint intricate patterns using time-honored methods offered a nice glimpse into the city’s creative traditions. I’d love to bring some of these techniques into future ceramic projects.

One evening, just before sunset, we found ourselves on a quiet rooftop as the Call to Prayer rang out across the city. It gave me chills. A quiet, powerful moment I’ll never forget.

Tangier at sunset from our riad rooftop

Tangier: Overlooking the meeting point of the Mediterranean Sea and the Atlantic Ocean

As our trip drew to a close, we spent a night in Tangier. We had cocktails at sunset on the rooftop of our riad and enjoyed a delicious meal at Le Salon Bleu.

The port city offered a unique blend of European and Moroccan influences. The distance between Tangier Port to Tarifa Port in Spain is only 17 nautical miles. Only an hour ferry ride away!

Before your Moroccan adventure: one book to pack

Before the trip, I read The Caliph’s House: A Year in Casablanca by Tahir Shah, and I’m so glad I did. His writing offers a vivid window into Moroccan culture, filled with humor, curiosity, and a deep appreciation for place. It’s part memoir, part cultural portrait—and a perfect companion if you're planning a visit.

Eusebio Ceramics Morocco Tagine

Blue tagine inspired by the colors of Chefchaouen.

Bringing Morocco home: culinary and art inspirations

Back home, Morocco stayed with me—in color, in texture, in the little moments that resurfaced unexpectedly. I found myself wanting to translate those memories into form. I made two tagines: one in a soft cyan that reminded me of Chefchaouen’s winding blue streets, and another in warm terracotta, echoing the sun-baked tones of Marrakech. These cone-lidded vessels are central to Moroccan cooking, but they’re also beautiful in their own right—simple, sculptural, and steeped in tradition.

One of my favorite finds in Marrakech was a pair of African beaded masks. There’s something special about bringing home a piece of local art—it holds the energy of the place, a reminder of where you’ve been and what you felt while you were there.

Eusebio Ceramics Bazaar Fusion

Bazaar Fusion, 2023

This year, I felt drawn to working at a larger scale—no specific plan, just a desire to explore form more freely. I started by throwing a series of concave cylinders, then joined them together into a kind of horn-like structure. The shape felt playful and bold, so I embraced that spirit and glazed it in vibrant colors found throughout Morocco.

Pattern inspo

While in Marrakech, I was especially drawn to the black and white inlaid side tables with their striking stripe patterns. That visual language stayed with me, and I used it intentionally in the glaze design. Paired with the bold colors drawn from the broader landscape and culture, the piece became a celebration of Morocco’s energy—lively, layered, and full of movement.

Eusebio Ceramics Chi Chefchauoen

Chefchauoen Chi (Private Collection)

As my Creative Director, Janette catapulted our brand onto the global scene. I had no doubt that her venture into ceramics would offer a unique eye and reach a new level of artistic expression.
— Ginny, CEO, Phoenix

Travel Notes in Clay

Each place leaves its mark—stirring new gestures, and reshaping how I translate experience into form.

Mexico City

Egypt

Greece

Naoshima Island

Janette Harwell

Design-driven with a global perspective, Janette Eusebio’s work is inspired by many forms of design: architecture, interior, and textile to name a few — and heavily influenced by a lifelong wanderlust that has taken her around the globe. She derives great joy from exploring the world with family and friends, continually pursuing new cultural experiences and art forms. Both her Filipino heritage and love of nature are featured prominently in her work.

Janette is particularly drawn to textures, patterns, and organic forms that have movement, which inspires pieces that are both bold and refined. Working in clay has been a meditative, grounding journey for her.

In 1990, Janette graduated with a BFA in Communication Design from Otis/Parsons, a private art and design school in Los Angeles, California. From 1990-1997 she lived and worked in New York City as a graphic designer before relocating to Phoenix, Arizona. In 2004, she founded Stir Design & Advertising, which she continues to oversee today.

Every day is a new opportunity to create. Janette is a visual storyteller who excels in capturing a sense of place, a memory, or a feeling.

https://eusebioceramics.com
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